Today, December 13, 2015 is the 220th anniversary of the Wold Newton event. On December 13, 1795, a meteorite struck outside the hamlet of Wold Newton in Yorkshire, England. According to Philip José Farmer, when the meteorite crashed into the countryside, two carriages were passing by. The drivers and passengers, who were already of heroic stock, were exposed to the ionization of the meteorite and were further enhanced by it.
These passengers include Sir Percy Blakeny, the Scarlet Pimpernel as well as Fitzwilliam and Elizabeth Darcy. Ancestors of Sherlock Holmes, Tarzan, Doc Savage, the Avenger, the Shadow, the Spider, and others were present as well. The passengers included several married couples, with some of the women already being pregnant at the time. Their children would later marry each other, thus the enriched genes would not become recessive. Due to the families becoming interconnected, they are referred to as one family, the Wold Newton Family.
Today also marks the day of the launch of WOLDNEWTONFAMILY.COM. A website devoted to the canonical Wold Newton Family works by Philip José Farmer and authorized continuations. Be sure to take some time and give it a peek on Wold Newton Day, it has several articles, and is a great introduction and resource to Philip José Farmer’s Wold Newton Family.
In this week’s episode, I look at a seminal Wold Newton tale, “The Adventure of the Peerless Peer” by Philip José Farmer himself. This story features Sherlock Holmes, Doctor Watson, and Tarzan, with several cameos by other pulp heroes.
Pulp Crazy got a chance to sit down with author Christopher Paul Carey to discuss the upcoming standalone release of The Song of Kwasin, the conclusion to Philip José Farmer’s original Khokarsa/Ancient Opar trilogy. This is the first time the novel will be available as a standalone edition; it’s the perfect time to pick this up if you’ve been wondering what happens after Hadon of Ancient Opar and Flight to Opar.
The first novel of the series stars Hadon of Opar and his wayward adventures after the power-hungry King Minruth cheats him out of winning the throne of Khokarsa by sending him on a fool’s errand into the Wild Lands beyond the empire. Here Hadon runs across his giant, half-mad cousin Kwasin, who has been exiled for his crimes against a priestess of the Great Mother Goddess Kho. After succeeding in his quest, Hadon returns back to the capital with Kwasin and their companions, only to find the empire torn asunder by a civil war. We last see Kwasin in the prow of a boat, swinging his mighty ax of meteoritic iron against Minruth’s overwhelming forces while Hadon and the others escape. In the second novel of the series, a prophecy of the oracle hurls Hadon back to his home city of Opar, but we hear nothing of Kwasin except that he has somehow become king of Dythbeth, a city on the island of Khokarsa that’s at war with Minruth and his armies. The Song of Kwasin picks up right after the events of Hadon of Ancient Opar, and is the story of how Kwasin tries to clear his name and take the fight to Minruth against insurmountable odds. So The Song of Kwasin actually takes place concurrently with many of the events in Flight to Opar.
How did you come to coauthor The Song of Kwasin with Philip José Farmer?
I was serving as coeditor of Farmerphile, a periodical dedicated to publishing Philip José Farmer’s rare and previously unpublished writing, when the original outline and partial manuscript of The Song of Kwasin was found in Phil’s files in 2005. When Farmerphile’s publisher, Michael Croteau, sent me photocopies of the outline and manuscript so we could see whether we wanted to use them in the magazine, I could hardly believe what I was seeing—Kwasin’s epic tale and the entire arc of the war against King Minruth spelled out in full. I knew immediately that the story had to be written, so I wrote up a pitch and sent it to Phil, who at that time had retired from writing. Much to my surprise, he accepted it. I think the fact that we both had a mutual love of anthropology and the works of Edgar Rice Burroughs and H. Rider Haggard—all inspirations for the series—had a lot to do with his decision. I also believe he was excited by the idea of seeing the main arc of the trilogy finally completed. He’d been considering completing the third volume of the series as late as 1999, but he retired shortly after that and then had a number of health setbacks in the years that followed. In 2005, I was in the middle of a graduate study program in writing. Phil and his wife Bette both agreed that I should complete my studies before I began writing the novel, which I did. Though I completed The Song of Kwasin in early 2008, novel wasn’t published until 2012 due to other Farmer projects in the pipes with the publisher. But Phil, who passed in February 2009, was able to see the completed novel, which Bette read aloud to him. And for that I’m glad. I think it meant a lot to Phil to know the novel he’d long planned was at last finished.
What did Philip José Farmer think of the completed novel?
Bette Farmer told me it brought a big smile to Phil’s face to hear Kwasin’s adventures, and that they both really enjoyed it.
Did Mr. Farmer give you any direction while you were working on the novel?
Yes. Early on he told me how he wanted the novel to end. I was able to ask him some questions about alternative courses he’d left open in the outline, and he told me to disregard those and how he wanted the novel to wrap up now that it was to be positioned as the climax of a trilogy. That was all extremely helpful. Later on he was too ill to give me much input, but by then I was already writing the novel and we’d worked out where the story was headed. I’ll always be grateful to Phil for his generosity and encouragement.
The Song of Kwasin was previously available only as part of an omnibus. Could you discuss the bonus materials that will appear in the new standalone edition of The Song of Kwasin, which is due out from Meteor House in December 2015?
First up, there’s a stellar introduction by Paul Di Filippo. That’s a huge honor and treat for me because I admire his writing so much. Then I’ve written a preface to the new edition, giving a lot of background on how the book came to be written. Following the novel comes “Kwasin and the Bear God,” a 20,000-word novella based on Philip José Farmer’s outline that relates a lost adventure set between the first two chapters of The Song of Kwasin. The new edition also includes a “Guide to Khokarsa,” rare articles by Farmer, reproductions of some of his notes on the series, the original and alternate outlines to The Song of Kwasin, and previously unpublished correspondence by Farmer with Frank J. Brueckel and John Harwood, authors of “Heritage of the Flaming God,” the monumental essay that inspired the Khokarsa series.
You mentioned that The Song of Kwasin was the climax of a trilogy. Has the series been completed or is there more coming?
If you read The Song of Kwasin, you’ll understand why I say it’s the end of the main story arc of a trilogy. But there’s still a lot left to tell of the saga of Khokarsa. At one time, Phil said he planned to write twelve books in the series. Using Phil’s notes on where the story was headed, I wrote Hadon, King of Opar, which should be considered the fourth volume in the Khokarsa series. Its sequel, Blood of Ancient Opar, is slated to be published in 2016. After that, I have plans for a trilogy about Hadon’s son, Kohr. I’m also toying with the idea of someday returning to the character Lupoeth, the priestess-heroine of Exiles of Kho, my novella about the origin of the city of Opar. But we’ll see. Right now I’m committed to writing Blood of Ancient Opar and the new trilogy about Kohr. Only Kho and the golden tablets from the lost cities of Opar and Kôr know what happens after that!
The Song of Kwasin releases in December 2015 and can be preordered here.
Christopher Paul Carey is the coauthor with Philip José Farmer of The Song of Kwasin, and the author of Exiles of Kho and Hadon, King of Opar. His short fiction may be found in anthologies such as Ghost in the Cogs, Tales of the Shadowmen, The Worlds of Philip José Farmer, Tales of the Wold Newton Universe, and The Avenger: The Justice, Inc. Files. He is a senior editor at Paizo on the award-winning Pathfinder Roleplaying Game, and has edited numerous collections, anthologies, and novels. He holds a master’s degree in Writing Popular Fiction from Seton Hill University. Visit him online at http://cpcarey.com.
This is a special episode of Pulp Crazy for two reasons. The first is that it’s going up on Edgar Rice Burroughs’ birthday, September 1st. The second, is that I’m joined by two special guests Christopher Paul Carey and Chuck Loridans. We’re going to be discussing Edgar Rice Burroughs’ Tarzan. These two are huge Burroughs and Tarzan fans and they cover a lot of ground from the books to other media that they feel captures or in part captures the spirit of the original Burroughs character.
There is also some talk about H. Rider Haggard’s influence on Burroughs, and a bit about how the style and framing sequence of the original Burroughs novels influenced Philip Jose Farmer when he came up with the concept for his biography of Tarzan, Tarzan: Alive. I enjoyed listening to these two go back and forth about Tarzan and ERB this past weekend. We recorded this episode without realizing it was Burroughs’ birthday coming out. So it’s a happy coincidence.
Christopher Paul Carey and Meteor House graciously granted me the opportunity to read an early draft of Hadon, King of Opar. Hadon, King of Opar is the fourth book in the Khokarsa series which began with Hadon of Ancient Opar by Philip José Farmer back in 1974. Farmer wrote a sequel, Flight to Opar which followed in 1976. The conclusion to the original trilogy, The Song of Kwasin was published in 2012 in the Gods of Opar omnibus from Subterranean Press. The Song of Kwasin was co-authored by Philip José Farmer and Christopher Paul Carey. Carey also co-authored the novella, Kwasin and the Bear God with Philip José Farmer, which was first published in 2011, in The Worlds of Philip José Farmer Volume 2: Of Dust And Soul from Meteor House. It has since been reprinted in Tales of the Wold Newton Universe from Titan Books published in 2013.
In addition to co-authoring Kwasin and the Bear God and The Song of Kwasin with Farmer, Carey has also written Khokarsa tales on his own. “A Kick In the Side” was published in The Worlds of Philip José Farmer Volume 1: Protean Dimensions by Meteor House back in 2010. Exiles of Kho was published by Meteor House in 2012. Exiles of Kho is a novella written by Carey that acts a prequel to the Khokarsa series. The novella chronicles the discovery of the valley which will one day house the city of Opar.
Farmer passed the tenu (a Khokarsan broadsword to the uninitiated) to Carey, and he’s been continuing the chronicles of Khokarsa ever since. The new novella, Hadon, King of Opar continues Philip José Farmer’s saga of ancient Africa which draws from the works of Edgar Rice Burroughs and H. Rider Haggard. The Khokarsa series shows how the ancient cities encountered by Tarzan and Alan Quatermain actually have a shared history. Farmer was inspired by an essay written by two Edgar Rice Burroughs fans, John Harwood and Frank Brueckel, called Heritage of the Flaming God. Using the concept of Africa once having an inland sea (actually two seas, joined by a straight), he engaged in some Tolkien-esque world building, and connected his vision of Ancient Africa to the works of Burroughs and Haggard. The final product is the Khokarsa series starring Hadon of Opar and Kwasin of Dythbeth.
Hadon is the main character in Hadon of Ancient Opar and Flight to Opar. He doesn’t make an appearance until the epilogue of The Song of Kwasin, which as you can guess, focused on his cousin, Kwasin. I’m a big fan of Kwasin, but seeing Hadon take center stage once again feels very appropriate.
Hadon, King of Opar takes place 14 years after The Song of Kwasin. Hadon is no longer the young man from the first two books, he’s now forty years old and has a family. He’s also King of Opar. His wife, Lalila, is the Queen. But don’t worry, he hasn’t let himself go like all the other Khokarsan kings (Minruth and Gamori). Hadon is still a physical specimen. He’s a paragon of heroic fantasy, and an expert swordsman. The King and Queen aren’t the only familiar faces in the novella, though.
Paga, the manling and forger of the Ax of Victory plays a role in the story. Abeth, Lalila’s daughter by the fallen hero Wi has a part to play too. Abeth was only a toddler during the original books, and now she’s a young woman. Kohr, who is Hadon’s son by the deceased priestess Klyhy, is a young man now. It’s great seeing Kohr, someone who was literally conceived during the first Ancient Opar book, play a role in the newest novella. Kohr is now a Captain in the Queensguard and he wields the Ax of Victory which once belonged to his uncle (actually second cousin) Kwasin. Kebiwabes, the bard from the original books also plays a part in the new novella. Last, but certainly not least is La, the child of prophecy born on the final page of Flight to Opar. She is Hadon and Lalila’s daughter, and is now a priestess of Kho and a follower of the teachings of Lupoeth. Lupoeth is the warrior priestess featured in Exiles of Kho.
It’s great to not only see Hadon and Lalila again, but seeing their grown children taking part in the story really drives home the scope of the Khokarsa series, and Farmer’s original vision for it. A few new characters show up too. I’m certain they will quickly become fan favorites, but saying anymore would give it away. It’s best the reader discover them when Hadon does.
Carey does a great job in putting Hadon in an interesting situation from the very beginning of the story. Hadon, King of Opar is a fast paced tale where you follow Hadon’s movements while Opar is besieged by invaders. The action takes place in, around, and under the city, thanks to the subterranean tunnel system mentioned in the works of Edgar Rice Burroughs, and the original Ancient Opar novels written by Farmer. Carey and Hadon both cover a lot of ground in this novella in regards to Opar’s geography. The vast amount of research into the Opar related Edgar Rice Burroughs tales, and Farmer’s Ancient Opar stories is very evident in the text. Carey’s research, and spot on prose has allowed him to craft a great piece of action and adventure set around Opar. I don’t think there is a person on the planet more knowledgeable about the city of Opar and Khokarsa than Carey.
Carey takes great care in the mythology and history Farmer established for the series and brings elements of both into the new novella. For instance, tensions between the priests of Resu (the Sun God) and priestesses of Kho (The Mother Goddess) are still present even during Lalila and Hadon’s reign. I also enjoyed the scenes featuring Togana’no. He’s a Gokakko, one of the neanderthal people who live in shanty towns within Ancient Opar. Farmer wrote about the Gokakko in the original Ancient Opar books, and Carey developed them further in Exiles of Kho. It’s quite a contrast to see how the Gokakko are treated by Lupoeth in Exiles of Kho compared to how the people of Opar treat them in the Ancient Opar books.
When reading Hadon, King of Opar, it felt like I was reading a lost work of Philip José Farmer himself. Carey’s talent as a writer, knowledge of the works of Burroughs, Haggard, and Farmer, his education in anthropology, and interest in linguistics has allowed him to continue the Khokarsa series with the same skill and passion as Farmer. The Khokarsa series is something both authors are going to be remembered for.
If you’re a fan of Khokarsa, Hadon, King of Opar should vault to the top of your reading list. Look at that Bob Eggleton cover; who wouldn’t want that on their bookshelf alongside the rest of the Khokarsa series? Besides an amazingly well done piece of cover art, you’re also going to get a great story.
Reading Hadon, King of Opar is like catching up with some old friends you haven’t seen in a while, then going on an adventure with them. If you’re new to Khokarsa, and are working on getting caught up, I would still preorder this book immediately. Meteor House prints a limited number of their releases, so you don’t want to miss out. Head to the Meteor House website and get your order in to guarantee your place in the party. Then return to Ancient Opar and join Hadon on another adventure.
Author and editor, Christopher Paul Carey joins me in discussing the Restored Edition of Philip José Farmer’s Flight to Opar, now available for pre-order from Meteor House. Chris is the editor of the book and we delve into how he went about restoring the text for this edition. Chris even provides a sneak peak by citing some examples directly from the book, to give us an idea of what type of material has been restored. This is the new definitive text of Flight to Opar.
Flight to Opar – The Restored Edition is now available for pre-order from Meteor House. It’s available in both hardcover and softcover format at the link below.
In this weeks episode I’m going to be discussing a story that has had a huge influence on pulp and popular literature. King Solomon’s Mines by H. Rider Haggard. The novel was first published in September 1885. Haggard wrote King Solomon’s Mines following a bet with his brother. The wager was whether or not Haggard could write a novel half as good as Robert Louis Stevenson’s Treasure Island.
According to wikipedia it took him between six and sixteen weeks to complete the novel between January and April 21st 1885. The book had a hard time finding a publisher, it was overlooked as a novelty. When it saw print, it became the year’s best seller, and proved difficult to keep in print given the great demand for copies.
King Solomon’s Mines stars Allan Quatermain. A character that has seen a bit of a resurgence in the last ten years.
In this special edition I will be discussing “With Dust Their Glittering Towers” by Christopher Paul Carey. It is a short story that has been recently published in “The Many Tortures of Anthony Cardno” by Talekyn Press. The anthology is edited by Anthony Cardno and all stories feature a tuckerized version of him. All sales proceeds of “The Many Tortures of Anthony Cardno” go directly to the American Cancer Society’s Relay For Life.
While Christopher Paul Carey’s name is no stranger to pulp fans, we are shown a different style in “With Dust Their Glittering Towers”. This is the first story in what Chris refers to as The Fly-Leaves cycle. It is a piece of historical fantasy set in Highgate, London during the Victorian Era.
The story focuses on Alicia Leath, a young woman who is a member of the Bacon Society of London. The Society is dedicated to studying and investigating the life and works of noted English philosopher, scientist, politician and author Francis Bacon who lived from 1561-1626. It is believed by some that Bacon wrote some or nearly all of the plays attributed to William Shakespeare. As a matter of fact the story’s title is a nod to a verse from Shakespeare’s “The Rape of Lucrece”. Bacon was the first scientist to be knighted and later became a Baron and a Viscount. Bacon died of pneumonia in Highgate at the Earl of Arundel’s house on April 9, 1625. Ironically this may have been due to him experimenting with snow, using it to preserve the flesh of a slaughtered hen. But did he really die? In “With Dust Their Glittering Towers”, the lead character, Alicia, actually travels to Arundel House to investigate the historical site.
In this weeks episode I will be discussing “Exiles of Kho” by Christopher Paul Carey. It is a new pulp novella set in Philip Jose Farmer’s Wold Newton Universe published by Meteor House Press. Exiles of Kho was previously only available via a limited edition trade, however it has just been released in eBook format for $3.99. I also include audio with Christopher Paul Carey from Pulpfest 2012 at the end of the episode.
Exiles of Kho stars the hero priestess Lupoeth and also features a certain grey eyed archer God named Sahhindar. Join the two of them as they fulfill their destinies on a quest into the jungles of Ancient Africa.